Latest Release
- Lungs · 2008
- THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY · 2024
- Everybody Scream · 2025
- Everybody Scream · 2025
- Hurry Up Tomorrow · 2025
- Everybody Scream · 2025
- Ceremonials · 2011
- Everybody Scream · 2025
Essential Albums
- With one 13-song exhalation, British singer-songwriter Florence Welch unleashed her siren-call of a voice—and announced her arrival as one of Britain’s most singular modern-day talents—on 2009’s Lungs. Though the quirkily named Florence + the Machine was very much of the 2000s and became an instant staple of that era’s UK indie scene, the nature-loving mysticism and wordy lyrics throughout Lungs established Welch as more of a modern-day Fiona Apple or Kate Bush. Though released by a major label, Lungs feels curiously DIY—sounding almost like demos by your favorite local songwriter. But Welch was too talented to be playing in dark bars, and too angelic to be busking in her flowing dresses. The supersized emotions found on Lungs were born from the devastation of a breakup, one that’s examined and explored in often roof-raising alt-pop. “The stars, the moon, they have all been blown out/You left me in the dark,” Welch wails like a banshee on the monumental “Cosmic Love.” And on the suspicious “I’m Not Calling You a Liar,” as well as the gothic “Howl,” she steeps in the pain of lost love. Everything about Lungs creates an aesthetic, and a world, that feels witchy, dark, and sometimes unhinged, whether it’s the album’s mythic artwork, or the haunting lyrics on “Rabbit Heart (Raise It Up),” one of its biggest singles (“This is a gift, it comes with a price/Who is the lamb, and who is the knife?”). But Lungs is by no means a strictly ethereal record: There’s the bratty indie-rock of “Kiss With a Fist” and the sonically angular and downright lyrically creepy “Girl With One Eye.” What holds all of Lungs together, though, is a quiet femininity paired with a triumphant attitude when you least expect it. If there’s one moment to take and treasure from Lungs, though, it’s “Dog Days Are Over”—an anthemic, shooting star of a song. It’s a track that captures the overarching message of not just this otherworldly album, but also Welch’s artistic vision as a whole: the desire to confront one’s feelings—in fact, to roar at the sky about them—but to let that self-expression also be a work of art.
Albums
Artist Playlists
- Florence Welch joins Zane to go deep on her band’s fifth album Dance Fever.
Live Albums
Compilations
Appears On
- Everything Is Recorded
- Everything Is Recorded
More To Hear
About Florence + the Machine
Florence + the Machine’s grand art pop cuts straight to the essence of raw emotion—no matter how bruised and bloody the result. London artist Florence Welch’s 2009 debut album, Lungs, came stacked with rousing anthems like “Kiss With a Fist” and “Dog Days Are Over,” all propelled by pounding rhythms and orchestral strings. Welch possesses a bewitching voice akin to a powerful siren wail that’s fueled by a deep desire for catharsis. “With songwriting, I really like to embody the things I was afraid of as a child. I like to kind of embody that voice,” she explained to Apple Music. “It’s like an exorcism almost.” That passion for delving into the darker outskirts of the mind infuses everything the group does, including the 2016 short film The Odyssey, whose Dante-inspired scenes are strung together with heartache-drenched songs from 2015’s How Big, How Blue, How Beautiful. Braveness dictates not only Welch’s lyrics—which hit on topics as taboo as suicide and self-destruction (“The End of Love”) and as profound as simply letting go (the Grammy-nominated “Shake It Out”)—but also her willingness to evolve. The 2022 full-length Dance Fever dabbles in ecstatic electro and Kate Bush-caliber gothic grandeur, while a 2024 cover of Vera Lynn’s 1941 song “White Cliffs Of Dover” exudes genteel throwback glam.
- FROM
- London, England
- FORMED
- 2007
- GENRE
- Alternative