If they truly taste better then that is a start. But really nothing the researchers found (smaller tomatoes tend to be sweeter and have more concentrated flavor, heirloom varieties ripened on the vine have a lot more flavor) are new discoveries to people who have seeked out tomatoes with flavor from farmers markets. (often the uglier the better the flavor)
What really needs to happen is not giving tomatoes better genes, but using technology to grown tomatoes closer to where we buy them and let them ripen before picking them. This is already occuring. Even our local Wal Mart, which gets all its other products via its complex nationwide distribution system is finding ways to buy produce from local farmers. And people are willing to pay more for it because it tastes better.
This one is better because the cave and the view beyond are starting to look like they are in the same scene and lit from the same ambient source (the cave was so abnormally bright above that it could almost have been cut and pasted from another image). I’d try Turbofrog’s suggestion below and add back in a few highlights.
It is a nice composition by the way. Did you have to go all Harry Potter to get in the cave or was there a back entrance?
Taking shadow and highlight sliders to the extreme can produce some of the same looks associated with HDR processing. When try to make everything in the frame "be interesting in its own right" you end up sucking all the highs and lows out and you are left with a image where everything is so balanced and even that nothing in really stands out. The dynamic range has been squeezed.
Try letting the cave go darker while maintaining just a hint of the detail you have exposed in the light reflecting off the rocks and the sand.And don;t be afraid to let some of the highlights back in as well.
I love upside down water pics for their surreal quality. This one is particularly nice because of the completely different color palettes between the foreground and the reflected background. I agree about the framing needing a bit of tweaking (maybe take some off the bottom and the left hand side.)
Lol, its almost the polar opposite of DTLA. It’s downtown Jackson MS.
The colors were really almost that intense which is one of the things that made me grab my camera and get up to the top of the parking deck.
Oh sorry. it was 16mm which was my widest lens. The colors were kind of extreme because tornado clouds had just passed through at dusk.
1/60 sec. / ISO 1000 / EV -3/4 / f/1.4 Fuji XT1
Framing is a bit off for the building at the bottom right but i was on a roof and couldn’t step back anymore and was as wide as I could go on the lens. Bummer.
I really like those f2 primes too. I’d gladly give up a stop of light for a much smaller lens with weatherproofing on my xT1.
Preordered my black x100F at midnight to replace my fairly beat up x100s. I’ve been waiting for this camera for more than a year. I’m a little disappointed it doesn’t have a articulating screen or weatherproofing this go around but the rest of the upgrades are fairly significant from the S which was released almost 4 years ago. Faster focusing the higher res sensor, wifi, ISO dial, the extra control wheels and more customizable menus will all be welcome addtions.
I would not say Fuji lenses are lower in price but they are higher in quality for their price than any other company’s lenses seem to be. And if you wait for the right moment to buy they go on sale at least once a year (I got two 999 dollar lenses for 699 last spring during a sale). Their newer smaller weather sealed lens series (23, 35 and now 50mm f2.0’s) are quite affordable. The selection is not as vast as Canon or whoever but there are very few lackluster lenses in the lineup and they hit most of the focal lengths people want. The one area they might suffer is with super long telephoto (equiv. > 400 mm).
No video whatsoever. It’s strictly a stills camera.
I think this last one is the best of the bunch. The ocean an the sky are richly toned but don’t look like they have had the clarity/definition slider turned up to 10. The sunset in the distance has some hierarchy. The trees are a touch dark but you know what? Thats OK. Along with the rocks they anchor the image with some shadows and foreground elements.
The second HDR does indeed have more contrast and pop but its also feels too processed albeit in a different way. I think the problem is that HDR software often affects areas that don’t need affecting… which is what makes the clouds look lumpy like you just ate some aci instead of soft and wispy. I’d be willing to best the sky looks best in your low exposure and the ocean looks best in the middle one.
I’ve seen some YouTube tutorials on using Photoshop and layers to do your own exposure blending from staked images that leads to a less artificial look then HDR algorithms. Which is more akin to what traditional film photographers did when they used gradient ND filters to bring down the sky on landscapes so it could be more in line with the ground. perhaps you might want to give that a try.
This image fascinates me because its right on the edge between realism and the hyper-realism that comes from the subtle use of HDR. Is it just a single exposure or a blend? Either way its tonally gorgeous.
I agree with Turbofrog. Not much really needs to be done to this. Maybe just t a touch of cropping on the left and maybe just take off a bit of the sky if you want to keep the aspect ratio the same. My personal preference is to boost the saturation and the brilliance just a touch but that’s really just a matter of taste as to whether you want a more naturalistic look or a slightly heightened color palette.
The shot is nicely composed but the HDR processing is a bit too heavy.
It’s like all the highlights and deep shadows have been sucked out of the image leaving everything to exist in this weird middle zone. Consequently the golden skies in the distant don’t look like a vibrant sunset anymore and look more like someone tinted the sky yellow. Also the blending of the two images gives the sky and the water a strange soft feel (presumably because the clouds and waves changed between exposures. I’d like to see this with a lighter touch on the processing or even see the original images.
Like I said, Trump talks a lot. In fact he never huts up. But none of it tells us anything about the truth or what he actually has planned or what he believes in.
One of the many unique aspects of the incoming presidency is the level of transparency that Donald Trump has afforded the world. No president before him has been as candid and forthright in articulating his mood and motivations as Mr. Trump has so far.
Please don’t confuse using a lot of words with "transparency" or "candidness".
I’ve discovered that moon shots are tough. Getting the moon exposed correctly while also maintaining the exposure you want of your surroundings is difficult. As is focussing and exposure. Basically you have to do complete manual or else the camera hunts endlessly and the exposure is way off.
The moon was not actually visible as an object. It was more of a soft gradient in the sky because of the clouds. I think I blew out the highlights a little and thats whats causing it to bloom around the branches. I tried to bring them down in post but this is as good as I could get. Lesson learned I guess. Maybe should have turned on exposure bracketing.
starting production with a release date, rather than an excellent story.
I don’t know many films, hell many creative projects in general, that have the luxury of not having a deadline from day one. Deadlines are a part of the creative process.
Fuji xT1. 200mm. f/4.8 1/4s. +2.33 EV
The moon was shrouded by soft clouds last night and the tree branches were striking in their silhouette against the gradient of the sky. Just a touch of post processing to tweak the exposure to get the fade right and to add jut a hint of blue in the darker areas.
Maybe the older customers are a factor. But selling telegraph machines is a dead end business. One has to think that people running these companies are smart enough to plan beyond the next 5 years.
And I don’t see Canon, Nikon, Sony, etc. saying "we are selling so many cameras why bother changing anything?". Because smartphones have decimated their industry’s low end over the last 15 years and even now DSLR and mirrorless cameras are hardly a growth industry. But they could be a growth industry if they drastically rethought their products instead of taking tentative baby steps to appease the boomers who buy their legacy products.
I doubt this is about laziness either because these cameras are indeed really, technically outstanding. They just all fall down when it comes to what modern customers expect from user interfaces and seamless connectivity… which inevitably makes many people say "screw it, ill just use my smartphone" even though they might have an interest in taking better pictures. Everything these companies have done trying to appease us has been a kluge… a half-assed attempt to put a band aid on the problem.
I think the fundamental problem, and this is a problem that you see across all late 20th Century consumer electronics makers (cameras, copiers, av equipment makers, TV makers etc) is that the old school leadership can’t see beyond the hardware driven industry they grew up in. Every single one of these CE companies has crappy user interfaces on the products.
And that’s not an accident. Whenever a company or industry fails to innovate you can be assured that there is likely a company culture issue. Because culture comes from the top and trickles down. If the upper level decision makers of these companies don;t make something a priority it will never happen, no matter how many young and eager ui designers they hire.