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Zoey Deutch’s French Twist
The actress reunites with Richard Linklater to channel her inner Jean Seberg in Nouvelle Vague.
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Amy Madigan Is Back in the Spotlight. It’s Making Her Nervous
Her performance as the creepily clownish aunt in 'Weapons' has relaunched her career and made her an Oscar frontrunner — not to mention the year's most unlikely Tiktok star.
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‘Predator: Badlands’ Director Dan Trachtenberg Reveals James Cameron Didn’t Think Movie “Was Going to Work” Until He Saw a Nearly Finished Cut
Trachtenberg recalls a memorable dinner in which the 'Avatar' director gave him a vote of confidence. But after a screening months later, Cameron revealed he previously had doubts.
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‘Predator: Badlands’ Star Elle Fanning Explains How Dimitrius Schuster-Koloamatangi Wore Her Like a Backpack
Playing the year's most unlikely partners required movie magic, some creative thinking and a lot of fitness: "Dimitrius basically did a whole 'America Ninja Warrior' course to train for the audition and everything else. "
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Simu Liu on ‘In Your Dreams,’ That “Dumb” AI Extra Take and the Remaining Secrets of ‘Avengers: Doomsday’
Though he has an idea of what happens in 'Doomsday,' he can't be certain: “Am I entirely sure that that's the version that's going to end up on the screen when the movie comes out next year? Not a whole lot.”
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Jennifer Lawrence Dug Deep for ‘Die My Love’ — And Finds Releasing It “Very Violating”
The Oscar winner chats candidly with The Hollywood Reporter about what’s making her nervous about the film industry, her evolving relationship to her new awards darling, and the challenges of her current press tour: “It feels like your whole diary is about to just be ripped apart by everybody.”
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‘Shelby Oaks’ Filmmaker Chris Stuckmann Breaks Down the New Ending and the Secret He Couldn’t Keep
The YouTube critic-turned director, who screened his film last year at Fantasia, discusses new moments he's added since then, and what fell out.
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Tokyo: Hailey Gates on Her Nuanced Satirization of the U.S. Military in Competition Film ‘Atropia’
The debut feature from the multihyphenate won the Grand Jury Prize in the U.S. dramatic competition category at the Sundance Film Festival.
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Tokyo: Fan Bingbing on Rebounding From Her “Lowest Point,” the Grueling Preparation for ‘Mother Bhumi’ and Working in China Again
The Chinese superstar is almost unrecognizable in Chong Keat Aun’s new film, for which she studied multiple languages and shamanic practices.
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Tokyo: Yoji Yamada and Lee Sang-il Talk Japanese Cinema, Craft and Following Anime’s Global Success
The directors, two generations of Japanese filmmaking excellence, delivered a wide-ranging, humorous discussion on their approach and each other.
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‘Honeyjoon’ Director on Grief Roller Coaster Movie: “What It Feels Like to Be Alive”
The Tribeca award winner about a Kurdish-Persian mother and her American daughter holidaying in the Azores after a major loss will screen at Tribeca Festival Lisboa in Lisbon, Portugal.
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The Best ’90s Horror Movies
From favorites like 'Scream,' 'Silence of the Lambs' and 'The Sixth Sense' to underseen gems, these are the 16 best horror movies of the decade.
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‘Scream 7’: Everything We Know About the Next Slasher Film
The Hollywood Reporter rounds up reveals from the trailer, who's coming back, castings, creatives attached, a release date, Ghostface teases and Sidney's fate in the upcoming horror movie.
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Tokyo: Chairman Hiroyasu Ando Talks Festival Growth and Competing for Attention With Trump
Ando has raised the festival’s profile since taking the job in 2019, but admits there's much work to do with increasing the Japanese public's awareness of the event.
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How a German Mom-and-Pop Outfit Built ‘Stitch Head,’ a New Animated Halloween Classic
Husband-and-wife director-producer team Steve Hudson and Sonja Ewers spent a decade piecing together partners and financing for the $30 million production, proving indie animation can still think big.
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‘Wicked’ Director Jon M. Chu on the Political Relevancy of ‘For Good,’ Early Broadway Reactions
"It’s about who are we when we know the truth? Who do you become when the stories you’re told, the promises you’re given, shatter in front of you?" Chu said of the second film's message.
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