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The apartments are tiny (four hundred square feet or so for a studio; six hundred for a one-bedroom), but the amenities are lavish: communal desks, Zoom rooms, concierges, housekeeping, I.V. drips, after-work drinks, fridge stocking, dry cleaning. You can rent a unit for as short as six months. Sarage likes to think of the Set as a five-star hotel crossed with a luxury rental crossed with a techy workplace.\nSarage wore a black blazer, a bright-orange safety vest, and a hard hat; she was leading a tour of the construction site for some Related executives. Jeff Blau, the company’s C.E.O. (suit: dark; face: Seinfeldian), tagged along. He said that you could forget the fifteen-minute city. “Hudson Yards was a five-minute community,” he said. “This building is taking all of that and putting it into one space.” Related planned to expand the concept across the country, as did at least one potential competitor. “Adam Neumann’s next career is this,” Blau said, of the WeWork co-founder, who is developing a vaguely sketched venture called Flow.\nSarage led the group to the forty-third floor. “This is the ‘play’ floor,” she said. It will house a party space with a full kitchen (“If A24 hosts an event in the screening room, we can have a pre-reception here”), a game room, and a pool deck, for lounging and d.j. parties. Also: a private restaurant, run by Kluger, who will have a second, public restaurant on the ground floor. “The residents will have their own secret entrance,” Sarage said.\n“We’re marketing it all as a private club,” Blau said. “The new cool thing in New York is to be part of something.”\nUp a helical staircase was the “work” floor: grab-and-go Kluger snacks, tech-support desk, conference rooms, golf simulator, podcasting area. Some construction guys, with power tools and sheets of drywall, were in the co-working space, co-working.\nThe group took an elevator down to the residences: studios (around five thousand dollars a month), which include an option for a bed that descends from the ceiling, and one-bedrooms (seventy-five hundred). Both come with a small, but full, kitchen (and a copy of Kluger’s cookbook), Matouk linens, art, pillows—the apartments are completely furnished. In one studio, the group found the design manager, Saemi Kim, in a corner, furnishing. A smell lingered. Sarage explained, “We have target demographics in mind, so each unit has its own scent. This is the senior executive.”\n“It’s woody, it’s very gentle,” Kim said. It had a masculine-wealth vibe.\nSarage looked at Blau. “This is Jeff’s apartment,” she said.\nLast stop: the wellness level. “We have part of a floor dedicated to a company called Sollis, which is a health-care provider,” Blau said. It’s open to the non-Set set, but there’s a private entrance for residents. “It’s emergency-room, twenty-four-hour service,” Blau added. “So you really don’t have to leave.” (The Set shares the building with Coterie, a senior-housing and assisted-living venture; rent long enough and you really, really don’t have to leave.)\nDown the hall was a gym, with a giant screen for virtual exercise classes. “This has a scent, too,” Sarage said, of a living green wall. She put her nose to a eucalyptus leaf. “It smells like eucalyptus.” Then she led the group back outside and into the fog, whose smell (ozone and trash) might only be sniffed on the way into the cab to the airport. ♦\nAn earlier version of this article misstated the name of the health-care provider at the Set.","isBasedOn":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F11\u002F28\u002Fif-you-lived-here-youd-never-have-to-leave","articleSection":"insulation dept.","author":[{"@type":"Person","name":"Zach Helfand","sameAs":"https:\u002F\u002Fwww.newyorker.com\u002Fcontributors\u002Fzach-helfand"}],"dateModified":"2022-11-21T06:00:00.000-05:00","datePublished":"2022-11-21T06:00:00.000-05:00","headline":"If You Lived Here, You’d Never Have to Leave","image":["https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6376eac0f4bc8ee30e8387ab\u002F16:9\u002Fw_1920,h_1080,c_limit\u002F221128_r41431illuweb-site.jpg","https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6376eac0f4bc8ee30e8387ab\u002F4:3\u002Fw_1440,h_1080,c_limit\u002F221128_r41431illuweb-site.jpg","https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6376eac0f4bc8ee30e8387ab\u002F1:1\u002Fw_1080,h_1080,c_limit\u002F221128_r41431illuweb-site.jpg"],"keywords":["insulation dept.","splitscreenimageleftinset","standard","magazine"],"thumbnailUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6376eac0f4bc8ee30e8387ab\u002F3:2\u002Fw_1620,h_1080,c_limit\u002F221128_r41431illuweb-site.jpg","url":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F11\u002F28\u002Fif-you-lived-here-youd-never-have-to-leave","isPartOf":{"@type":"CreativeWork","name":"The New Yorker"},"isAccessibleForFree":true,"alternativeHeadline":"Zach Helfand on the Set, a new bubble inside a bubble in Hudson Yards, which lets residents eat and sleep and Zoom and work without ever touching the pavement.","description":"Zach Helfand on the Set, a new bubble inside a bubble in Hudson Yards, which lets residents eat and sleep and Zoom and work without ever touching the pavement.","mainEntityOfPage":{"@type":"WebPage","@id":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F11\u002F28\u002Fif-you-lived-here-youd-never-have-to-leave"},"publisher":{"@context":"https:\u002F\u002Fschema.org","@type":"Organization","name":"The New Yorker","logo":{"@type":"ImageObject","url":"https:\u002F\u002Fwww.newyorker.com\u002Fverso\u002Fstatic\u002Fthenewyorker-us\u002Fassets\u002Fthe-new-yorker-seo-logo.jpg","width":"1200px","height":"630px"},"url":"https:\u002F\u002Fwww.newyorker.com"}},{"@context":"https:\u002F\u002Fschema.org\u002F","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"name":"Magazine","item":"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine"},{"@type":"ListItem","position":2,"name":"If You Lived Here, You’d Never Have to Leave"}]}],"head.contentID":"63742a4fff0266f0fa53a4a0","head.pageType":"article","head.photos":{"image-16-9":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6376eac0f4bc8ee30e8387ab\u002F16:9\u002Fw_1000,c_limit\u002F221128_r41431illuweb-site.jpg","image-1-1":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6376eac0f4bc8ee30e8387ab\u002F1:1\u002Fw_1000,c_limit\u002F221128_r41431illuweb-site.jpg"},"head.firstPublishDate":"2022-11-21T11:00:00.000Z","head.primaryTagsRoot":"tags","head.hasSponsoredContent":false,"head.modifiedDate":"2022-11-21T11:00:00.000Z","head.noIndex":false,"ethyca":{"enableEthyca":true,"gpp":false,"propertyId":"FDS-X00MZ3"},"linkBannerData":{"bannerType":"link-list","dek":"","hed":"New Yorker Favorites","image":{},"links":[{"text":"In Cold Blood","rubric":"","url":"\u002Fmagazine\u002F1965\u002F09\u002F25\u002Fin-cold-blood-the-last-to-see-them-alive","isExternal":false},{"text":"E-Mail from Bill Gates","rubric":"","url":"\u002Fmagazine\u002F1994\u002F01\u002F10\u002Fe-mail-from-bill-gates","isExternal":false},{"text":"Murder By Poison","rubric":"","url":"\u002Fmagazine\u002F2013\u002F10\u002F14\u002Fmurder-by-poison","isExternal":false},{"text":"Amelia Earhart’s Last Flight","rubric":"","url":"\u002Fmagazine\u002F2009\u002F09\u002F14\u002Famelia-earhart-last-flight","isExternal":false}],"tracking":{"trackingIdentifier":"banner-new-yorker-favorites","attributes":{"id":"6296e07239cfcbc095065c31","url":"new-yorker-favorites\u002Flink-banner","source":"CONTENT"}}},"linkBannerId":["6296e07239cfcbc095065c31"],"navigation":{"aboutText":"The writers you love. 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Singer](https:\u002F\u002Fwww.amazon.com\u002FProtest-Singer-Intimate-Portrait-Seeger\u002Fdp\u002F0307390985)” and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002FIce-Balloon-Andree-Heroic-Exploration\u002Fdp\u002F0307594807),” among other books.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b81ebe912338a37866c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b81ebe912338a37866b_wilkinson-alec.png"}],"metadata":{"contentType":"photo"}},"bio":"Alec Wilkinson began writing for *The New Yorker* in 1980, after working as a policeman in Wellfleet, Massachusetts, and as a rock-and-roll musician. He has contributed pieces under the Talk of the Town, Comment, Reporter at Large, and Profile rubrics, and many of his books grew out of articles first published in the magazine. They include “[A Divine Language](https:\u002F\u002Fwww.amazon.com\u002FDivine-Language-Learning-Geometry-Calculus\u002Fdp\u002F1250168570)”; “[Midnights](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1886913323\u002F?ots=1&slotNum=0&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[A Violent Act](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0679749829\u002F?ots=1&slotNum=1&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[My Mentor](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618382690\u002F?ots=1&slotNum=2&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about his long friendship with, and training at the hands of, the novelist and short-story writer William Maxwell, who was a fiction editor at *The New Yorker* for forty years; “[Mr. Apology](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618123113\u002F?ots=1&slotNum=3&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[The Happiest Man in the World](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400065437\u002F?ots=1&slotNum=4&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a portrait of David Pearlman, a bohemian vagabond who built a raft from found objects in New York and sailed it across the North Atlantic; “[The Protest Singer](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307390985\u002F?ots=1&slotNum=5&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a biography of Pete Seeger; and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307741869\u002F?ots=1&slotNum=6&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about the Swedish aeronaut S. A. Andrée, who in 1897 tried to fly to the North Pole in a hydrogen balloon and later became one of the first people in the world to be lost in the air. Wilkinson’s awards include a Guggenheim Fellowship, a Robert F. Kennedy Book Award, and a Lyndhurst Fellowship Prize.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-reporter-at-large","name":"A Reporter at Large"},"channels":[{"name":"A Reporter at Large"},{"name":"New Yorker Favorites"}],"hed":"Conversations with a Killer","dek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. In the weeks before his scheduled execution, he was far from reconciled to his fate.","promoHed":"Conversations with a Killer","promoDek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. 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They wrote about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, and the Middle East, among other subjects.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59ea82d14837d07518971dde","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F10\u002F20\u002F59ea82d14837d07518971ddd_gessen-masha.png"}],"metadata":{"contentType":"photo"}},"bio":"Masha Gessen began contributing to *The New Yorker* in 2014 and was a staff writer from 2017 to 2024. Gessen is the author of eleven books, including “[Surviving Autocracy](https:\u002F\u002Fwww.amazon.com\u002FSurviving-Autocracy-Masha-Gessen\u002Fdp\u002F0593188934?ots=1&slotNum=0&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20&linkCode=w50)” and “[The Future Is History: How Totalitarianism Reclaimed Russia](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F159463453X\u002F?ots=1&slotNum=1&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20),” which won the National Book Award in 2017. They have written about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, Vladimir Putin, and Donald Trump, among other subjects, for *The New York Review of Books* and the New York *Times*. On a parallel track, they have been a science journalist, writing about AIDS, medical genetics, and mathematics; famously, they were dismissed as the editor of the Russian popular-science magazine *Vokrug sveta* for refusing to send a reporter to observe Putin hang-gliding with Siberian cranes. They are a distinguished professor at the Craig Newmark Graduate School of Journalism at the City University of New York and a distinguished visiting writer at Bard College. They are the recipient of a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the John Chancellor Award, the Hitchens Prize, the Hannah Arendt Prize for Political Thought, a Polk Award, and an Overseas Press Club Award. After more than twenty years as a journalist and editor in Moscow, Gessen has been living in New York since 2013.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-columnists","name":"Our Columnists"},"channels":[{"name":"Our Columnists"},{"name":"Culture"}],"hed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","dek":"","promoHed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","promoDek":"The show’s creators imagine confrontation where it was unthinkable—and, in doing so, they cross the line from conjuring a fiction to creating a lie.","url":"news\u002Four-columnists\u002Fwhat-hbos-chernobyl-got-right-and-what-it-got-terribly-wrong","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59115140dd6207318b5e0e4a","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"5909ff4b1c7a8e33fb390bbb","url":"contributors\u002Fadam-gopnik","name":"Adam Gopnik","title":"Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man show, “Adam Gopnik’s New York,” played at Lincoln Center’s Clark Studio Theatre in May, 2025.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"books","name":"Books"},"channels":[{"name":"Books"}],"hed":"The Big Reveal","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F03\u002F05\u002Fbig-reveal","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59114b8f4e65be2f29d5b053","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a24581c7a8e33fb390c89","url":"contributors\u002Fburkhard-bilger","name":"Burkhard Bilger","title":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His books include “[Fatherland: A Memoir of War, Conscience, and Family Secrets](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"594873131be78c4ce215b7c8","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F06\u002F20\u002F594873131be78c4ce215b7c7_bilger-burkhard.png"}],"metadata":{"contentType":"photo"}},"bio":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His pieces have included portraits of gem dealers in Madagascar, ginseng poachers in the Appalachians, deep-cave divers in Mexico, and a cheese-making nun in Connecticut. His work has also appeared in the New York *Times*, *The Atlantic*, and *Harper’s*, among numerous other publications, and has been anthologized ten times in the “Best American” series. Bilger is the recipient of fellowships at the MacDowell Colony, Yale University, and the New York Public Library’s Cullman Center. His first book, “[Noodling for Flatheads](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0684850117\u002F?ots=1&slotNum=0&imprToken=aebfb7ef-f6eb-6109-113&tag=thneyo0f-20),” was a finalist for the pen\u002FMartha Albrand Award. His book “[Fatherland](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987),” about his grandfather’s experience in wartime Alsace, from Random House, was published in 2023.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"sporting-scene","name":"The Sporting Scene"},"channels":[{"name":"The Sporting Scene"}],"hed":"The Strongest Man in the World","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F07\u002F23\u002Fthe-strongest-man-in-the-world","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591147d8f8fa3e67faf0dda7","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590c96f66c4c222f03a8234e","url":"contributors\u002Fpatrick-radden-keefe","name":"Patrick Radden Keefe","title":"Patrick Radden Keefe, a staff writer, has been contributing to The New Yorker since 2006. His books include “[Empire of Pain](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ\u002F)” and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b71c14b3c606c109448","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b71c14b3c606c109447_keefe-patrick-radden.png"}],"metadata":{"contentType":"photo"}},"bio":"Patrick Radden Keefe, a staff writer, has been contributing investigative reporting to *The New Yorker* since 2006. His coverage of crime and corruption has ranged from the mystery of a teen’s [drowning in the Thames](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F02\u002F12\u002Fa-teens-fatal-plunge-into-the-london-underworld) to [Purdue Pharma](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2017\u002F10\u002F30\u002Fthe-family-that-built-an-empire-of-pain)’s role in the opioid epidemic. Keefe is the author of “[Rogues: True Stories of Grifters, Killers, Rebels, and Crooks](https:\u002F\u002Fwww.amazon.com\u002FRogues-Stories-Grifters-Killers-Rebels\u002Fdp\u002F0593467736\u002F),” a selection of his *New Yorker* pieces; “[Empire of Pain: The Secret History of the Sackler Dynasty](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ),” which received the Baillie Gifford Prize for Non-Fiction; and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316),” which received the National Book Critics Circle Award, the Orwell Prize for political writing, and the Arthur Ross Book Award from the Council on Foreign Relations, and was named one of the twenty best books of the century by the New York *Times*. His previous books are “[The Snakehead: An Epic Tale of the Chinatown Underworld and the American Dream](https:\u002F\u002Fwww.amazon.com\u002FSnakehead-Chinatown-Underworld-American-Dream\u002Fdp\u002F0307279278),” which was a finalist for the J. Anthony Lukas Prize, and “[Chatter: Dispatches from the Secret World of Global Eavesdropping](https:\u002F\u002Fwww.amazon.com\u002FChatter-Dispatches-Secret-Global-Eavesdropping\u002Fdp\u002F1400060346).” \n \nKeefe’s story “[A Loaded Gun](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F02\u002F11\u002Fa-loaded-gun),” about the troubled history of the mass shooter Amy Bishop, received the National Magazine Award for Feature Writing in 2014, and he was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and for profile writing in 2024. Keefe holds a law degree from Yale. He is the creator and host of the 2020 podcast “Wind of Change,” about the strange convergence of Cold War espionage and nineteen-eighties heavy metal, and in 2024 he was an executive producer of FX’s limited series “Say Nothing,” based on his book of the same name. Originally from Boston, he lives with his family in New York.","socialMedia":[{"handle":"praddenkeefe","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"profiles","name":"Profiles"},"channels":[{"name":"Profiles"}],"hed":"Rocket Man","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2013\u002F11\u002F25\u002Frocket-man-2","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fc7ebe912338a374bd8\u002Fmaster\u002Fpass\u002F131125_r24301.jpg","altText":"Eliot Higgins, at home in England. 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He has contributed pieces under the Talk of the Town, Comment, Reporter at Large, and Profile rubrics, and many of his books grew out of articles first published in the magazine. They include “[A Divine Language](https:\u002F\u002Fwww.amazon.com\u002FDivine-Language-Learning-Geometry-Calculus\u002Fdp\u002F1250168570)”; “[Midnights](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1886913323\u002F?ots=1&slotNum=0&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[A Violent Act](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0679749829\u002F?ots=1&slotNum=1&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[My Mentor](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618382690\u002F?ots=1&slotNum=2&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about his long friendship with, and training at the hands of, the novelist and short-story writer William Maxwell, who was a fiction editor at *The New Yorker* for forty years; “[Mr. Apology](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618123113\u002F?ots=1&slotNum=3&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[The Happiest Man in the World](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400065437\u002F?ots=1&slotNum=4&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a portrait of David Pearlman, a bohemian vagabond who built a raft from found objects in New York and sailed it across the North Atlantic; “[The Protest Singer](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307390985\u002F?ots=1&slotNum=5&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a biography of Pete Seeger; and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307741869\u002F?ots=1&slotNum=6&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about the Swedish aeronaut S. A. Andrée, who in 1897 tried to fly to the North Pole in a hydrogen balloon and later became one of the first people in the world to be lost in the air. Wilkinson’s awards include a Guggenheim Fellowship, a Robert F. Kennedy Book Award, and a Lyndhurst Fellowship Prize.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-reporter-at-large","name":"A Reporter at Large"},"channels":[{"name":"A Reporter at Large"},{"name":"New Yorker Favorites"}],"hed":"Conversations with a Killer","dek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. In the weeks before his scheduled execution, he was far from reconciled to his fate.","promoHed":"Conversations with a Killer","promoDek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. 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They wrote about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, and the Middle East, among other subjects.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59ea82d14837d07518971dde","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F10\u002F20\u002F59ea82d14837d07518971ddd_gessen-masha.png"}],"metadata":{"contentType":"photo"}},"bio":"Masha Gessen began contributing to *The New Yorker* in 2014 and was a staff writer from 2017 to 2024. Gessen is the author of eleven books, including “[Surviving Autocracy](https:\u002F\u002Fwww.amazon.com\u002FSurviving-Autocracy-Masha-Gessen\u002Fdp\u002F0593188934?ots=1&slotNum=0&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20&linkCode=w50)” and “[The Future Is History: How Totalitarianism Reclaimed Russia](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F159463453X\u002F?ots=1&slotNum=1&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20),” which won the National Book Award in 2017. They have written about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, Vladimir Putin, and Donald Trump, among other subjects, for *The New York Review of Books* and the New York *Times*. On a parallel track, they have been a science journalist, writing about AIDS, medical genetics, and mathematics; famously, they were dismissed as the editor of the Russian popular-science magazine *Vokrug sveta* for refusing to send a reporter to observe Putin hang-gliding with Siberian cranes. They are a distinguished professor at the Craig Newmark Graduate School of Journalism at the City University of New York and a distinguished visiting writer at Bard College. They are the recipient of a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the John Chancellor Award, the Hitchens Prize, the Hannah Arendt Prize for Political Thought, a Polk Award, and an Overseas Press Club Award. After more than twenty years as a journalist and editor in Moscow, Gessen has been living in New York since 2013.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-columnists","name":"Our Columnists"},"channels":[{"name":"Our Columnists"},{"name":"Culture"}],"hed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","dek":"","promoHed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","promoDek":"The show’s creators imagine confrontation where it was unthinkable—and, in doing so, they cross the line from conjuring a fiction to creating a lie.","url":"news\u002Four-columnists\u002Fwhat-hbos-chernobyl-got-right-and-what-it-got-terribly-wrong","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59115140dd6207318b5e0e4a","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"5909ff4b1c7a8e33fb390bbb","url":"contributors\u002Fadam-gopnik","name":"Adam Gopnik","title":"Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man show, “Adam Gopnik’s New York,” played at Lincoln Center’s Clark Studio Theatre in May, 2025.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"books","name":"Books"},"channels":[{"name":"Books"}],"hed":"The Big Reveal","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F03\u002F05\u002Fbig-reveal","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59114b8f4e65be2f29d5b053","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a24581c7a8e33fb390c89","url":"contributors\u002Fburkhard-bilger","name":"Burkhard Bilger","title":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His books include “[Fatherland: A Memoir of War, Conscience, and Family Secrets](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"594873131be78c4ce215b7c8","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F06\u002F20\u002F594873131be78c4ce215b7c7_bilger-burkhard.png"}],"metadata":{"contentType":"photo"}},"bio":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His pieces have included portraits of gem dealers in Madagascar, ginseng poachers in the Appalachians, deep-cave divers in Mexico, and a cheese-making nun in Connecticut. His work has also appeared in the New York *Times*, *The Atlantic*, and *Harper’s*, among numerous other publications, and has been anthologized ten times in the “Best American” series. Bilger is the recipient of fellowships at the MacDowell Colony, Yale University, and the New York Public Library’s Cullman Center. His first book, “[Noodling for Flatheads](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0684850117\u002F?ots=1&slotNum=0&imprToken=aebfb7ef-f6eb-6109-113&tag=thneyo0f-20),” was a finalist for the pen\u002FMartha Albrand Award. His book “[Fatherland](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987),” about his grandfather’s experience in wartime Alsace, from Random House, was published in 2023.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"sporting-scene","name":"The Sporting Scene"},"channels":[{"name":"The Sporting Scene"}],"hed":"The Strongest Man in the World","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F07\u002F23\u002Fthe-strongest-man-in-the-world","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591147d8f8fa3e67faf0dda7","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590c96f66c4c222f03a8234e","url":"contributors\u002Fpatrick-radden-keefe","name":"Patrick Radden Keefe","title":"Patrick Radden Keefe, a staff writer, has been contributing to The New Yorker since 2006. His books include “[Empire of Pain](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ\u002F)” and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b71c14b3c606c109448","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b71c14b3c606c109447_keefe-patrick-radden.png"}],"metadata":{"contentType":"photo"}},"bio":"Patrick Radden Keefe, a staff writer, has been contributing investigative reporting to *The New Yorker* since 2006. His coverage of crime and corruption has ranged from the mystery of a teen’s [drowning in the Thames](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F02\u002F12\u002Fa-teens-fatal-plunge-into-the-london-underworld) to [Purdue Pharma](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2017\u002F10\u002F30\u002Fthe-family-that-built-an-empire-of-pain)’s role in the opioid epidemic. Keefe is the author of “[Rogues: True Stories of Grifters, Killers, Rebels, and Crooks](https:\u002F\u002Fwww.amazon.com\u002FRogues-Stories-Grifters-Killers-Rebels\u002Fdp\u002F0593467736\u002F),” a selection of his *New Yorker* pieces; “[Empire of Pain: The Secret History of the Sackler Dynasty](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ),” which received the Baillie Gifford Prize for Non-Fiction; and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316),” which received the National Book Critics Circle Award, the Orwell Prize for political writing, and the Arthur Ross Book Award from the Council on Foreign Relations, and was named one of the twenty best books of the century by the New York *Times*. His previous books are “[The Snakehead: An Epic Tale of the Chinatown Underworld and the American Dream](https:\u002F\u002Fwww.amazon.com\u002FSnakehead-Chinatown-Underworld-American-Dream\u002Fdp\u002F0307279278),” which was a finalist for the J. Anthony Lukas Prize, and “[Chatter: Dispatches from the Secret World of Global Eavesdropping](https:\u002F\u002Fwww.amazon.com\u002FChatter-Dispatches-Secret-Global-Eavesdropping\u002Fdp\u002F1400060346).” \n \nKeefe’s story “[A Loaded Gun](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F02\u002F11\u002Fa-loaded-gun),” about the troubled history of the mass shooter Amy Bishop, received the National Magazine Award for Feature Writing in 2014, and he was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and for profile writing in 2024. Keefe holds a law degree from Yale. He is the creator and host of the 2020 podcast “Wind of Change,” about the strange convergence of Cold War espionage and nineteen-eighties heavy metal, and in 2024 he was an executive producer of FX’s limited series “Say Nothing,” based on his book of the same name. Originally from Boston, he lives with his family in New York.","socialMedia":[{"handle":"praddenkeefe","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"profiles","name":"Profiles"},"channels":[{"name":"Profiles"}],"hed":"Rocket Man","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2013\u002F11\u002F25\u002Frocket-man-2","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fc7ebe912338a374bd8\u002Fmaster\u002Fpass\u002F131125_r24301.jpg","altText":"Eliot Higgins, at home in England. 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She received the Nobel Prize in Literature in 1993.","type":"AUTHOR","contributorType":"AUTHOR","photo":null,"bio":"","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"on-the-job","name":"On the Job"},"channels":[{"name":"On the Job"},{"name":"New Yorker Favorites"}],"hed":"The Work You Do, the Person You Are","dek":"The pleasure of being necessary to my parents was profound. I was not like the children in folktales: burdensome mouths to feed.","promoHed":"","promoDek":"The pleasure of being necessary to my parents was profound. I was not like the children in folktales: burdensome mouths to feed.","url":"magazine\u002F2017\u002F06\u002F05\u002Ftoni-morrison-the-work-you-do-the-person-you-are","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F592703c134b4ef4d15abad35\u002Fmaster\u002Fpass\u002F170605_r30092_rd.jpg","altText":"A minimalist illustration of a young woman reading a book on a flight of steps. 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He has contributed pieces under the Talk of the Town, Comment, Reporter at Large, and Profile rubrics, and many of his books grew out of articles first published in the magazine. They include “[A Divine Language](https:\u002F\u002Fwww.amazon.com\u002FDivine-Language-Learning-Geometry-Calculus\u002Fdp\u002F1250168570)”; “[Midnights](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1886913323\u002F?ots=1&slotNum=0&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[A Violent Act](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0679749829\u002F?ots=1&slotNum=1&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[My Mentor](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618382690\u002F?ots=1&slotNum=2&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about his long friendship with, and training at the hands of, the novelist and short-story writer William Maxwell, who was a fiction editor at *The New Yorker* for forty years; “[Mr. Apology](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618123113\u002F?ots=1&slotNum=3&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[The Happiest Man in the World](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400065437\u002F?ots=1&slotNum=4&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a portrait of David Pearlman, a bohemian vagabond who built a raft from found objects in New York and sailed it across the North Atlantic; “[The Protest Singer](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307390985\u002F?ots=1&slotNum=5&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a biography of Pete Seeger; and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307741869\u002F?ots=1&slotNum=6&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about the Swedish aeronaut S. A. Andrée, who in 1897 tried to fly to the North Pole in a hydrogen balloon and later became one of the first people in the world to be lost in the air. Wilkinson’s awards include a Guggenheim Fellowship, a Robert F. Kennedy Book Award, and a Lyndhurst Fellowship Prize.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-reporter-at-large","name":"A Reporter at Large"},"channels":[{"name":"A Reporter at Large"},{"name":"New Yorker Favorites"}],"hed":"Conversations with a Killer","dek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. In the weeks before his scheduled execution, he was far from reconciled to his fate.","promoHed":"Conversations with a Killer","promoDek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. 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They wrote about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, and the Middle East, among other subjects.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59ea82d14837d07518971dde","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F10\u002F20\u002F59ea82d14837d07518971ddd_gessen-masha.png"}],"metadata":{"contentType":"photo"}},"bio":"Masha Gessen began contributing to *The New Yorker* in 2014 and was a staff writer from 2017 to 2024. Gessen is the author of eleven books, including “[Surviving Autocracy](https:\u002F\u002Fwww.amazon.com\u002FSurviving-Autocracy-Masha-Gessen\u002Fdp\u002F0593188934?ots=1&slotNum=0&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20&linkCode=w50)” and “[The Future Is History: How Totalitarianism Reclaimed Russia](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F159463453X\u002F?ots=1&slotNum=1&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20),” which won the National Book Award in 2017. They have written about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, Vladimir Putin, and Donald Trump, among other subjects, for *The New York Review of Books* and the New York *Times*. On a parallel track, they have been a science journalist, writing about AIDS, medical genetics, and mathematics; famously, they were dismissed as the editor of the Russian popular-science magazine *Vokrug sveta* for refusing to send a reporter to observe Putin hang-gliding with Siberian cranes. They are a distinguished professor at the Craig Newmark Graduate School of Journalism at the City University of New York and a distinguished visiting writer at Bard College. They are the recipient of a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the John Chancellor Award, the Hitchens Prize, the Hannah Arendt Prize for Political Thought, a Polk Award, and an Overseas Press Club Award. After more than twenty years as a journalist and editor in Moscow, Gessen has been living in New York since 2013.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-columnists","name":"Our Columnists"},"channels":[{"name":"Our Columnists"},{"name":"Culture"}],"hed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","dek":"","promoHed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","promoDek":"The show’s creators imagine confrontation where it was unthinkable—and, in doing so, they cross the line from conjuring a fiction to creating a lie.","url":"news\u002Four-columnists\u002Fwhat-hbos-chernobyl-got-right-and-what-it-got-terribly-wrong","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59115140dd6207318b5e0e4a","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"5909ff4b1c7a8e33fb390bbb","url":"contributors\u002Fadam-gopnik","name":"Adam Gopnik","title":"Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man show, “Adam Gopnik’s New York,” played at Lincoln Center’s Clark Studio Theatre in May, 2025.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"books","name":"Books"},"channels":[{"name":"Books"}],"hed":"The Big Reveal","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F03\u002F05\u002Fbig-reveal","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59114b8f4e65be2f29d5b053","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a24581c7a8e33fb390c89","url":"contributors\u002Fburkhard-bilger","name":"Burkhard Bilger","title":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His books include “[Fatherland: A Memoir of War, Conscience, and Family Secrets](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"594873131be78c4ce215b7c8","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F06\u002F20\u002F594873131be78c4ce215b7c7_bilger-burkhard.png"}],"metadata":{"contentType":"photo"}},"bio":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His pieces have included portraits of gem dealers in Madagascar, ginseng poachers in the Appalachians, deep-cave divers in Mexico, and a cheese-making nun in Connecticut. His work has also appeared in the New York *Times*, *The Atlantic*, and *Harper’s*, among numerous other publications, and has been anthologized ten times in the “Best American” series. Bilger is the recipient of fellowships at the MacDowell Colony, Yale University, and the New York Public Library’s Cullman Center. His first book, “[Noodling for Flatheads](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0684850117\u002F?ots=1&slotNum=0&imprToken=aebfb7ef-f6eb-6109-113&tag=thneyo0f-20),” was a finalist for the pen\u002FMartha Albrand Award. His book “[Fatherland](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987),” about his grandfather’s experience in wartime Alsace, from Random House, was published in 2023.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"sporting-scene","name":"The Sporting Scene"},"channels":[{"name":"The Sporting Scene"}],"hed":"The Strongest Man in the World","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F07\u002F23\u002Fthe-strongest-man-in-the-world","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591147d8f8fa3e67faf0dda7","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590c96f66c4c222f03a8234e","url":"contributors\u002Fpatrick-radden-keefe","name":"Patrick Radden Keefe","title":"Patrick Radden Keefe, a staff writer, has been contributing to The New Yorker since 2006. 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His coverage of crime and corruption has ranged from the mystery of a teen’s [drowning in the Thames](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F02\u002F12\u002Fa-teens-fatal-plunge-into-the-london-underworld) to [Purdue Pharma](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2017\u002F10\u002F30\u002Fthe-family-that-built-an-empire-of-pain)’s role in the opioid epidemic. Keefe is the author of “[Rogues: True Stories of Grifters, Killers, Rebels, and Crooks](https:\u002F\u002Fwww.amazon.com\u002FRogues-Stories-Grifters-Killers-Rebels\u002Fdp\u002F0593467736\u002F),” a selection of his *New Yorker* pieces; “[Empire of Pain: The Secret History of the Sackler Dynasty](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ),” which received the Baillie Gifford Prize for Non-Fiction; and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316),” which received the National Book Critics Circle Award, the Orwell Prize for political writing, and the Arthur Ross Book Award from the Council on Foreign Relations, and was named one of the twenty best books of the century by the New York *Times*. His previous books are “[The Snakehead: An Epic Tale of the Chinatown Underworld and the American Dream](https:\u002F\u002Fwww.amazon.com\u002FSnakehead-Chinatown-Underworld-American-Dream\u002Fdp\u002F0307279278),” which was a finalist for the J. Anthony Lukas Prize, and “[Chatter: Dispatches from the Secret World of Global Eavesdropping](https:\u002F\u002Fwww.amazon.com\u002FChatter-Dispatches-Secret-Global-Eavesdropping\u002Fdp\u002F1400060346).” \n \nKeefe’s story “[A Loaded Gun](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F02\u002F11\u002Fa-loaded-gun),” about the troubled history of the mass shooter Amy Bishop, received the National Magazine Award for Feature Writing in 2014, and he was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and for profile writing in 2024. Keefe holds a law degree from Yale. He is the creator and host of the 2020 podcast “Wind of Change,” about the strange convergence of Cold War espionage and nineteen-eighties heavy metal, and in 2024 he was an executive producer of FX’s limited series “Say Nothing,” based on his book of the same name. Originally from Boston, he lives with his family in New York.","socialMedia":[{"handle":"praddenkeefe","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"profiles","name":"Profiles"},"channels":[{"name":"Profiles"}],"hed":"Rocket Man","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2013\u002F11\u002F25\u002Frocket-man-2","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fc7ebe912338a374bd8\u002Fmaster\u002Fpass\u002F131125_r24301.jpg","altText":"Eliot Higgins, at home in England. 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He has contributed pieces under the Talk of the Town, Comment, Reporter at Large, and Profile rubrics, and many of his books grew out of articles first published in the magazine. They include “[A Divine Language](https:\u002F\u002Fwww.amazon.com\u002FDivine-Language-Learning-Geometry-Calculus\u002Fdp\u002F1250168570)”; “[Midnights](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1886913323\u002F?ots=1&slotNum=0&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[A Violent Act](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0679749829\u002F?ots=1&slotNum=1&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[My Mentor](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618382690\u002F?ots=1&slotNum=2&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about his long friendship with, and training at the hands of, the novelist and short-story writer William Maxwell, who was a fiction editor at *The New Yorker* for forty years; “[Mr. Apology](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618123113\u002F?ots=1&slotNum=3&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[The Happiest Man in the World](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400065437\u002F?ots=1&slotNum=4&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a portrait of David Pearlman, a bohemian vagabond who built a raft from found objects in New York and sailed it across the North Atlantic; “[The Protest Singer](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307390985\u002F?ots=1&slotNum=5&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a biography of Pete Seeger; and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307741869\u002F?ots=1&slotNum=6&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about the Swedish aeronaut S. A. Andrée, who in 1897 tried to fly to the North Pole in a hydrogen balloon and later became one of the first people in the world to be lost in the air. Wilkinson’s awards include a Guggenheim Fellowship, a Robert F. Kennedy Book Award, and a Lyndhurst Fellowship Prize.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-reporter-at-large","name":"A Reporter at Large"},"channels":[{"name":"A Reporter at Large"},{"name":"New Yorker Favorites"}],"hed":"Conversations with a Killer","dek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. In the weeks before his scheduled execution, he was far from reconciled to his fate.","promoHed":"Conversations with a Killer","promoDek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. 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They wrote about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, and the Middle East, among other subjects.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59ea82d14837d07518971dde","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F10\u002F20\u002F59ea82d14837d07518971ddd_gessen-masha.png"}],"metadata":{"contentType":"photo"}},"bio":"Masha Gessen began contributing to *The New Yorker* in 2014 and was a staff writer from 2017 to 2024. Gessen is the author of eleven books, including “[Surviving Autocracy](https:\u002F\u002Fwww.amazon.com\u002FSurviving-Autocracy-Masha-Gessen\u002Fdp\u002F0593188934?ots=1&slotNum=0&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20&linkCode=w50)” and “[The Future Is History: How Totalitarianism Reclaimed Russia](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F159463453X\u002F?ots=1&slotNum=1&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20),” which won the National Book Award in 2017. They have written about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, Vladimir Putin, and Donald Trump, among other subjects, for *The New York Review of Books* and the New York *Times*. On a parallel track, they have been a science journalist, writing about AIDS, medical genetics, and mathematics; famously, they were dismissed as the editor of the Russian popular-science magazine *Vokrug sveta* for refusing to send a reporter to observe Putin hang-gliding with Siberian cranes. They are a distinguished professor at the Craig Newmark Graduate School of Journalism at the City University of New York and a distinguished visiting writer at Bard College. They are the recipient of a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the John Chancellor Award, the Hitchens Prize, the Hannah Arendt Prize for Political Thought, a Polk Award, and an Overseas Press Club Award. After more than twenty years as a journalist and editor in Moscow, Gessen has been living in New York since 2013.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-columnists","name":"Our Columnists"},"channels":[{"name":"Our Columnists"},{"name":"Culture"}],"hed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","dek":"","promoHed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","promoDek":"The show’s creators imagine confrontation where it was unthinkable—and, in doing so, they cross the line from conjuring a fiction to creating a lie.","url":"news\u002Four-columnists\u002Fwhat-hbos-chernobyl-got-right-and-what-it-got-terribly-wrong","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59115140dd6207318b5e0e4a","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"5909ff4b1c7a8e33fb390bbb","url":"contributors\u002Fadam-gopnik","name":"Adam Gopnik","title":"Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man show, “Adam Gopnik’s New York,” played at Lincoln Center’s Clark Studio Theatre in May, 2025.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"books","name":"Books"},"channels":[{"name":"Books"}],"hed":"The Big Reveal","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F03\u002F05\u002Fbig-reveal","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59114b8f4e65be2f29d5b053","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a24581c7a8e33fb390c89","url":"contributors\u002Fburkhard-bilger","name":"Burkhard Bilger","title":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His books include “[Fatherland: A Memoir of War, Conscience, and Family Secrets](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"594873131be78c4ce215b7c8","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F06\u002F20\u002F594873131be78c4ce215b7c7_bilger-burkhard.png"}],"metadata":{"contentType":"photo"}},"bio":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His pieces have included portraits of gem dealers in Madagascar, ginseng poachers in the Appalachians, deep-cave divers in Mexico, and a cheese-making nun in Connecticut. His work has also appeared in the New York *Times*, *The Atlantic*, and *Harper’s*, among numerous other publications, and has been anthologized ten times in the “Best American” series. Bilger is the recipient of fellowships at the MacDowell Colony, Yale University, and the New York Public Library’s Cullman Center. His first book, “[Noodling for Flatheads](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0684850117\u002F?ots=1&slotNum=0&imprToken=aebfb7ef-f6eb-6109-113&tag=thneyo0f-20),” was a finalist for the pen\u002FMartha Albrand Award. His book “[Fatherland](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987),” about his grandfather’s experience in wartime Alsace, from Random House, was published in 2023.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"sporting-scene","name":"The Sporting Scene"},"channels":[{"name":"The Sporting Scene"}],"hed":"The Strongest Man in the World","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F07\u002F23\u002Fthe-strongest-man-in-the-world","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591147d8f8fa3e67faf0dda7","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590c96f66c4c222f03a8234e","url":"contributors\u002Fpatrick-radden-keefe","name":"Patrick Radden Keefe","title":"Patrick Radden Keefe, a staff writer, has been contributing to The New Yorker since 2006. His books include “[Empire of Pain](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ\u002F)” and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b71c14b3c606c109448","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b71c14b3c606c109447_keefe-patrick-radden.png"}],"metadata":{"contentType":"photo"}},"bio":"Patrick Radden Keefe, a staff writer, has been contributing investigative reporting to *The New Yorker* since 2006. His coverage of crime and corruption has ranged from the mystery of a teen’s [drowning in the Thames](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F02\u002F12\u002Fa-teens-fatal-plunge-into-the-london-underworld) to [Purdue Pharma](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2017\u002F10\u002F30\u002Fthe-family-that-built-an-empire-of-pain)’s role in the opioid epidemic. Keefe is the author of “[Rogues: True Stories of Grifters, Killers, Rebels, and Crooks](https:\u002F\u002Fwww.amazon.com\u002FRogues-Stories-Grifters-Killers-Rebels\u002Fdp\u002F0593467736\u002F),” a selection of his *New Yorker* pieces; “[Empire of Pain: The Secret History of the Sackler Dynasty](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ),” which received the Baillie Gifford Prize for Non-Fiction; and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316),” which received the National Book Critics Circle Award, the Orwell Prize for political writing, and the Arthur Ross Book Award from the Council on Foreign Relations, and was named one of the twenty best books of the century by the New York *Times*. His previous books are “[The Snakehead: An Epic Tale of the Chinatown Underworld and the American Dream](https:\u002F\u002Fwww.amazon.com\u002FSnakehead-Chinatown-Underworld-American-Dream\u002Fdp\u002F0307279278),” which was a finalist for the J. Anthony Lukas Prize, and “[Chatter: Dispatches from the Secret World of Global Eavesdropping](https:\u002F\u002Fwww.amazon.com\u002FChatter-Dispatches-Secret-Global-Eavesdropping\u002Fdp\u002F1400060346).” \n \nKeefe’s story “[A Loaded Gun](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F02\u002F11\u002Fa-loaded-gun),” about the troubled history of the mass shooter Amy Bishop, received the National Magazine Award for Feature Writing in 2014, and he was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and for profile writing in 2024. Keefe holds a law degree from Yale. He is the creator and host of the 2020 podcast “Wind of Change,” about the strange convergence of Cold War espionage and nineteen-eighties heavy metal, and in 2024 he was an executive producer of FX’s limited series “Say Nothing,” based on his book of the same name. Originally from Boston, he lives with his family in New York.","socialMedia":[{"handle":"praddenkeefe","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"profiles","name":"Profiles"},"channels":[{"name":"Profiles"}],"hed":"Rocket Man","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2013\u002F11\u002F25\u002Frocket-man-2","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fc7ebe912338a374bd8\u002Fmaster\u002Fpass\u002F131125_r24301.jpg","altText":"Eliot Higgins, at home in England. He monitors hundreds of videos from Syria a day.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fc7ebe912338a374bd7_131125_r24301.jpg","width":1924,"height":2560,"format":"JPEG","modifications":null}],"caption":"Eliot Higgins, at home in England. He monitors hundreds of videos from Syria a day.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by James Day","filename":"131125_r24301.jpg","id":"59095fc7ebe912338a374bd8","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fc7ebe912338a374bd8\u002Fmaster\u002Fpass\u002F131125_r24301.jpg","altText":"Eliot Higgins, at home in England. He monitors hundreds of videos from Syria a day.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59095fc7ebe912338a374bd7_131125_r24301.jpg","width":1924,"height":2560,"format":"JPEG","modifications":null}],"caption":"Eliot Higgins, at home in England. 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He has contributed pieces under the Talk of the Town, Comment, Reporter at Large, and Profile rubrics, and many of his books grew out of articles first published in the magazine. They include “[A Divine Language](https:\u002F\u002Fwww.amazon.com\u002FDivine-Language-Learning-Geometry-Calculus\u002Fdp\u002F1250168570)”; “[Midnights](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1886913323\u002F?ots=1&slotNum=0&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[A Violent Act](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0679749829\u002F?ots=1&slotNum=1&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[My Mentor](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618382690\u002F?ots=1&slotNum=2&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about his long friendship with, and training at the hands of, the novelist and short-story writer William Maxwell, who was a fiction editor at *The New Yorker* for forty years; “[Mr. Apology](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618123113\u002F?ots=1&slotNum=3&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[The Happiest Man in the World](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400065437\u002F?ots=1&slotNum=4&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a portrait of David Pearlman, a bohemian vagabond who built a raft from found objects in New York and sailed it across the North Atlantic; “[The Protest Singer](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307390985\u002F?ots=1&slotNum=5&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a biography of Pete Seeger; and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307741869\u002F?ots=1&slotNum=6&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about the Swedish aeronaut S. A. Andrée, who in 1897 tried to fly to the North Pole in a hydrogen balloon and later became one of the first people in the world to be lost in the air. Wilkinson’s awards include a Guggenheim Fellowship, a Robert F. Kennedy Book Award, and a Lyndhurst Fellowship Prize.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-reporter-at-large","name":"A Reporter at Large"},"channels":[{"name":"A Reporter at Large"},{"name":"New Yorker Favorites"}],"hed":"Conversations with a Killer","dek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. In the weeks before his scheduled execution, he was far from reconciled to his fate.","promoHed":"Conversations with a Killer","promoDek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. 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They wrote about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, and the Middle East, among other subjects.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59ea82d14837d07518971dde","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F10\u002F20\u002F59ea82d14837d07518971ddd_gessen-masha.png"}],"metadata":{"contentType":"photo"}},"bio":"Masha Gessen began contributing to *The New Yorker* in 2014 and was a staff writer from 2017 to 2024. Gessen is the author of eleven books, including “[Surviving Autocracy](https:\u002F\u002Fwww.amazon.com\u002FSurviving-Autocracy-Masha-Gessen\u002Fdp\u002F0593188934?ots=1&slotNum=0&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20&linkCode=w50)” and “[The Future Is History: How Totalitarianism Reclaimed Russia](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F159463453X\u002F?ots=1&slotNum=1&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20),” which won the National Book Award in 2017. They have written about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, Vladimir Putin, and Donald Trump, among other subjects, for *The New York Review of Books* and the New York *Times*. On a parallel track, they have been a science journalist, writing about AIDS, medical genetics, and mathematics; famously, they were dismissed as the editor of the Russian popular-science magazine *Vokrug sveta* for refusing to send a reporter to observe Putin hang-gliding with Siberian cranes. They are a distinguished professor at the Craig Newmark Graduate School of Journalism at the City University of New York and a distinguished visiting writer at Bard College. They are the recipient of a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the John Chancellor Award, the Hitchens Prize, the Hannah Arendt Prize for Political Thought, a Polk Award, and an Overseas Press Club Award. After more than twenty years as a journalist and editor in Moscow, Gessen has been living in New York since 2013.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-columnists","name":"Our Columnists"},"channels":[{"name":"Our Columnists"},{"name":"Culture"}],"hed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","dek":"","promoHed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","promoDek":"The show’s creators imagine confrontation where it was unthinkable—and, in doing so, they cross the line from conjuring a fiction to creating a lie.","url":"news\u002Four-columnists\u002Fwhat-hbos-chernobyl-got-right-and-what-it-got-terribly-wrong","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59115140dd6207318b5e0e4a","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"5909ff4b1c7a8e33fb390bbb","url":"contributors\u002Fadam-gopnik","name":"Adam Gopnik","title":"Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man show, “Adam Gopnik’s New York,” played at Lincoln Center’s Clark Studio Theatre in May, 2025.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"books","name":"Books"},"channels":[{"name":"Books"}],"hed":"The Big Reveal","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F03\u002F05\u002Fbig-reveal","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59114b8f4e65be2f29d5b053","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a24581c7a8e33fb390c89","url":"contributors\u002Fburkhard-bilger","name":"Burkhard Bilger","title":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His books include “[Fatherland: A Memoir of War, Conscience, and Family Secrets](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"594873131be78c4ce215b7c8","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F06\u002F20\u002F594873131be78c4ce215b7c7_bilger-burkhard.png"}],"metadata":{"contentType":"photo"}},"bio":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His pieces have included portraits of gem dealers in Madagascar, ginseng poachers in the Appalachians, deep-cave divers in Mexico, and a cheese-making nun in Connecticut. His work has also appeared in the New York *Times*, *The Atlantic*, and *Harper’s*, among numerous other publications, and has been anthologized ten times in the “Best American” series. Bilger is the recipient of fellowships at the MacDowell Colony, Yale University, and the New York Public Library’s Cullman Center. His first book, “[Noodling for Flatheads](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0684850117\u002F?ots=1&slotNum=0&imprToken=aebfb7ef-f6eb-6109-113&tag=thneyo0f-20),” was a finalist for the pen\u002FMartha Albrand Award. His book “[Fatherland](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987),” about his grandfather’s experience in wartime Alsace, from Random House, was published in 2023.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"sporting-scene","name":"The Sporting Scene"},"channels":[{"name":"The Sporting Scene"}],"hed":"The Strongest Man in the World","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F07\u002F23\u002Fthe-strongest-man-in-the-world","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591147d8f8fa3e67faf0dda7","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590c96f66c4c222f03a8234e","url":"contributors\u002Fpatrick-radden-keefe","name":"Patrick Radden Keefe","title":"Patrick Radden Keefe, a staff writer, has been contributing to The New Yorker since 2006. His books include “[Empire of Pain](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ\u002F)” and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b71c14b3c606c109448","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b71c14b3c606c109447_keefe-patrick-radden.png"}],"metadata":{"contentType":"photo"}},"bio":"Patrick Radden Keefe, a staff writer, has been contributing investigative reporting to *The New Yorker* since 2006. His coverage of crime and corruption has ranged from the mystery of a teen’s [drowning in the Thames](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F02\u002F12\u002Fa-teens-fatal-plunge-into-the-london-underworld) to [Purdue Pharma](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2017\u002F10\u002F30\u002Fthe-family-that-built-an-empire-of-pain)’s role in the opioid epidemic. Keefe is the author of “[Rogues: True Stories of Grifters, Killers, Rebels, and Crooks](https:\u002F\u002Fwww.amazon.com\u002FRogues-Stories-Grifters-Killers-Rebels\u002Fdp\u002F0593467736\u002F),” a selection of his *New Yorker* pieces; “[Empire of Pain: The Secret History of the Sackler Dynasty](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ),” which received the Baillie Gifford Prize for Non-Fiction; and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316),” which received the National Book Critics Circle Award, the Orwell Prize for political writing, and the Arthur Ross Book Award from the Council on Foreign Relations, and was named one of the twenty best books of the century by the New York *Times*. His previous books are “[The Snakehead: An Epic Tale of the Chinatown Underworld and the American Dream](https:\u002F\u002Fwww.amazon.com\u002FSnakehead-Chinatown-Underworld-American-Dream\u002Fdp\u002F0307279278),” which was a finalist for the J. Anthony Lukas Prize, and “[Chatter: Dispatches from the Secret World of Global Eavesdropping](https:\u002F\u002Fwww.amazon.com\u002FChatter-Dispatches-Secret-Global-Eavesdropping\u002Fdp\u002F1400060346).” \n \nKeefe’s story “[A Loaded Gun](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2013\u002F02\u002F11\u002Fa-loaded-gun),” about the troubled history of the mass shooter Amy Bishop, received the National Magazine Award for Feature Writing in 2014, and he was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and for profile writing in 2024. Keefe holds a law degree from Yale. He is the creator and host of the 2020 podcast “Wind of Change,” about the strange convergence of Cold War espionage and nineteen-eighties heavy metal, and in 2024 he was an executive producer of FX’s limited series “Say Nothing,” based on his book of the same name. Originally from Boston, he lives with his family in New York.","socialMedia":[{"handle":"praddenkeefe","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"profiles","name":"Profiles"},"channels":[{"name":"Profiles"}],"hed":"Rocket Man","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2013\u002F11\u002F25\u002Frocket-man-2","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F59095fc7ebe912338a374bd8\u002Fmaster\u002Fpass\u002F131125_r24301.jpg","altText":"Eliot Higgins, at home in England. 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She received the Nobel Prize in Literature in 1993.","type":"AUTHOR","contributorType":"AUTHOR","photo":null,"bio":"","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"on-the-job","name":"On the Job"},"channels":[{"name":"On the Job"},{"name":"New Yorker Favorites"}],"hed":"The Work You Do, the Person You Are","dek":"The pleasure of being necessary to my parents was profound. I was not like the children in folktales: burdensome mouths to feed.","promoHed":"","promoDek":"The pleasure of being necessary to my parents was profound. I was not like the children in folktales: burdensome mouths to feed.","url":"magazine\u002F2017\u002F06\u002F05\u002Ftoni-morrison-the-work-you-do-the-person-you-are","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F592703c134b4ef4d15abad35\u002Fmaster\u002Fpass\u002F170605_r30092_rd.jpg","altText":"A minimalist illustration of a young woman reading a book on a flight of steps. 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He has contributed pieces under the Talk of the Town, Comment, Reporter at Large, and Profile rubrics, and many of his books grew out of articles first published in the magazine. They include “[A Divine Language](https:\u002F\u002Fwww.amazon.com\u002FDivine-Language-Learning-Geometry-Calculus\u002Fdp\u002F1250168570)”; “[Midnights](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1886913323\u002F?ots=1&slotNum=0&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[A Violent Act](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0679749829\u002F?ots=1&slotNum=1&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[My Mentor](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618382690\u002F?ots=1&slotNum=2&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about his long friendship with, and training at the hands of, the novelist and short-story writer William Maxwell, who was a fiction editor at *The New Yorker* for forty years; “[Mr. Apology](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0618123113\u002F?ots=1&slotNum=3&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20)”; “[The Happiest Man in the World](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400065437\u002F?ots=1&slotNum=4&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a portrait of David Pearlman, a bohemian vagabond who built a raft from found objects in New York and sailed it across the North Atlantic; “[The Protest Singer](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307390985\u002F?ots=1&slotNum=5&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” a biography of Pete Seeger; and “[The Ice Balloon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307741869\u002F?ots=1&slotNum=6&imprToken=a2bfbce6-50d7-f7bd-a96&tag=thneyo0f-20),” about the Swedish aeronaut S. A. Andrée, who in 1897 tried to fly to the North Pole in a hydrogen balloon and later became one of the first people in the world to be lost in the air. Wilkinson’s awards include a Guggenheim Fellowship, a Robert F. Kennedy Book Award, and a Lyndhurst Fellowship Prize.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"a-reporter-at-large","name":"A Reporter at Large"},"channels":[{"name":"A Reporter at Large"},{"name":"New Yorker Favorites"}],"hed":"Conversations with a Killer","dek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. In the weeks before his scheduled execution, he was far from reconciled to his fate.","promoHed":"Conversations with a Killer","promoDek":"John Wayne Gacy murdered thirty-three boys and became America’s most notorious killer. 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They wrote about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, and the Middle East, among other subjects.","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59ea82d14837d07518971dde","aspectRatios":[{"url":null},{"url":null},{"url":null},{"url":null},{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F10\u002F20\u002F59ea82d14837d07518971ddd_gessen-masha.png"}],"metadata":{"contentType":"photo"}},"bio":"Masha Gessen began contributing to *The New Yorker* in 2014 and was a staff writer from 2017 to 2024. Gessen is the author of eleven books, including “[Surviving Autocracy](https:\u002F\u002Fwww.amazon.com\u002FSurviving-Autocracy-Masha-Gessen\u002Fdp\u002F0593188934?ots=1&slotNum=0&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20&linkCode=w50)” and “[The Future Is History: How Totalitarianism Reclaimed Russia](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F159463453X\u002F?ots=1&slotNum=1&imprToken=fec2c152-df96-4ff1-e78&tag=thneyo0f-20),” which won the National Book Award in 2017. They have written about Russia, Ukraine, autocracy, L.G.B.T.Q. rights, Vladimir Putin, and Donald Trump, among other subjects, for *The New York Review of Books* and the New York *Times*. On a parallel track, they have been a science journalist, writing about AIDS, medical genetics, and mathematics; famously, they were dismissed as the editor of the Russian popular-science magazine *Vokrug sveta* for refusing to send a reporter to observe Putin hang-gliding with Siberian cranes. They are a distinguished professor at the Craig Newmark Graduate School of Journalism at the City University of New York and a distinguished visiting writer at Bard College. They are the recipient of a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the John Chancellor Award, the Hitchens Prize, the Hannah Arendt Prize for Political Thought, a Polk Award, and an Overseas Press Club Award. After more than twenty years as a journalist and editor in Moscow, Gessen has been living in New York since 2013.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"our-columnists","name":"Our Columnists"},"channels":[{"name":"Our Columnists"},{"name":"Culture"}],"hed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","dek":"","promoHed":"What HBO’s “Chernobyl” Got Right, and What It Got Terribly Wrong","promoDek":"The show’s creators imagine confrontation where it was unthinkable—and, in doing so, they cross the line from conjuring a fiction to creating a lie.","url":"news\u002Four-columnists\u002Fwhat-hbos-chernobyl-got-right-and-what-it-got-terribly-wrong","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F5cf6da70cab4ead158e7152b\u002Fmaster\u002Fpass\u002FGessen-Chernobyl-2.jpg","altText":"Two people look at a map on a table.","aspectRatios":[{"name":"2:1","url":null,"width":2560,"height":1280,"format":null,"modifications":{"crop":{"height":1280,"width":2560,"x":0,"y":221}}},{"name":"2:2","url":null,"width":1454,"height":1454,"format":null,"modifications":{"crop":{"height":1454,"width":1454,"x":17,"y":96}}},{"name":"16:9","url":null,"width":2560,"height":1440,"format":null,"modifications":{"crop":{"height":1440,"width":2560,"x":0,"y":113}}},{"name":"4:3","url":null,"width":2279,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":2279,"x":85,"y":0}}},{"name":"1:1","url":null,"width":1709,"height":1709,"format":null,"modifications":{"crop":{"height":1709,"width":1709,"x":527,"y":0}}},{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2019\u002F06\u002F04\u002F5cf6da70cab4eada93e7152a_Gessen-Chernobyl-2.jpg","width":2560,"height":1710,"format":"JPEG","modifications":null}],"caption":"In \"Chernobyl,\" starring Jared Harris and Emily Watson, the creators imagine confrontation where it was unthinkable—and, in doing so, cross the line from conjuring a fiction to creating a lie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Photograph by Liam Daniel \u002F HBO","filename":"Gessen-Chernobyl-2.jpg","id":"5cf6da70cab4ead158e7152b","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59115140dd6207318b5e0e4a","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"5909ff4b1c7a8e33fb390bbb","url":"contributors\u002Fadam-gopnik","name":"Adam Gopnik","title":"Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. His books include “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002F).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b742179605b11ad8f0c","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b742179605b11ad8f0b_gopnik-adam.png"}],"metadata":{"contentType":"photo"}},"bio":"Adam Gopnik, a staff writer, has been contributing to *The New Yorker* since 1986. During his tenure, he has written fiction, humor, criticism, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “[Paris to the Moon](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0375758232\u002F?ots=1&slotNum=0&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The King in the Window](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F078681862X\u002F?ots=1&slotNum=1&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Through the Children’s Gate: A Home in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400075750\u002F?ots=1&slotNum=2&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307455300\u002F?ots=1&slotNum=3&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[The Table Comes First: Family, France, and the Meaning of Food](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0307476960\u002F?ots=1&slotNum=4&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[Winter: Five Windows on the Season](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F088784975X\u002F?ots=1&slotNum=5&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[At the Strangers’ Gate: Arrivals in New York](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F1400041805\u002F?ots=1&slotNum=6&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” “[A Thousand Small Sanities: The Moral Adventure of Liberalism](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F154169936X\u002F?ots=1&slotNum=7&imprToken=c2bfa590-ac35-fbf3-3f7&tag=thneyo0f-20),” and “[The Real Work: On the Mystery of Mastery](https:\u002F\u002Fwww.amazon.com\u002FReal-Work-Mystery-Mastery\u002Fdp\u002F1324090758\u002Fref=sr_1_1?crid=20KRY1TUZVZWQ&keywords=the+real+work+adam+gopnik&qid=1681722649&sprefix=the+real+work+%2Caps%2C132&sr=8-1).” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man show, “Adam Gopnik’s New York,” played at Lincoln Center’s Clark Studio Theatre in May, 2025.","socialMedia":[{"handle":"adamgopnik","network":"Twitter"}],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"books","name":"Books"},"channels":[{"name":"Books"}],"hed":"The Big Reveal","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F03\u002F05\u002Fbig-reveal","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590967a62179605b11ad6570\u002Fmaster\u002Fpass\u002F120305_r21909_g2048.jpg","altText":"The Book of Revelation has all the elements of a Hollywood action movie.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590967a62179605b11ad656f_120305_r21909_g2048.jpg","width":1603,"height":2048,"format":"JPEG","modifications":null}],"caption":"The Book of Revelation has all the elements of a Hollywood action movie.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Ron Kurniawan","filename":"120305_r21909_g2048.jpg","id":"590967a62179605b11ad6570","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"59114b8f4e65be2f29d5b053","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590a24581c7a8e33fb390c89","url":"contributors\u002Fburkhard-bilger","name":"Burkhard Bilger","title":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His books include “[Fatherland: A Memoir of War, Conscience, and Family Secrets](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"594873131be78c4ce215b7c8","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F06\u002F20\u002F594873131be78c4ce215b7c7_bilger-burkhard.png"}],"metadata":{"contentType":"photo"}},"bio":"Burkhard Bilger has been a staff writer at *The New Yorker* since 2001. His pieces have included portraits of gem dealers in Madagascar, ginseng poachers in the Appalachians, deep-cave divers in Mexico, and a cheese-making nun in Connecticut. His work has also appeared in the New York *Times*, *The Atlantic*, and *Harper’s*, among numerous other publications, and has been anthologized ten times in the “Best American” series. Bilger is the recipient of fellowships at the MacDowell Colony, Yale University, and the New York Public Library’s Cullman Center. His first book, “[Noodling for Flatheads](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002F0684850117\u002F?ots=1&slotNum=0&imprToken=aebfb7ef-f6eb-6109-113&tag=thneyo0f-20),” was a finalist for the pen\u002FMartha Albrand Award. His book “[Fatherland](https:\u002F\u002Fwww.amazon.com\u002FFatherland-Memoir-Conscience-Family-Secrets\u002Fdp\u002F0385353987),” about his grandfather’s experience in wartime Alsace, from Random House, was published in 2023.","socialMedia":[],"metadata":{"contentType":"contributor"}}}]},"channel":{"slug":"sporting-scene","name":"The Sporting Scene"},"channels":[{"name":"The Sporting Scene"}],"hed":"The Strongest Man in the World","dek":"","promoHed":"","promoDek":"","url":"magazine\u002F2012\u002F07\u002F23\u002Fthe-strongest-man-in-the-world","rubric":"","lede":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"tout":{"bookMarkedUrl":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F590966ec2179605b11ad63d4\u002Fmaster\u002Fpass\u002F120723_r22386_p886.jpg","altText":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","aspectRatios":[{"name":"master","url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F590966eb2179605b11ad63d3_120723_r22386_p886.jpg","width":886,"height":1222,"format":"JPEG","modifications":null}],"caption":"At six feet eight and four hundred and thirty pounds, Brian Shaw competes in events such as car lifts and the Manhood Stones.","contextualBody":null,"contextualCaption":null,"contextualTitle":null,"cropMode":"TOP","credit":"Illustration by Barry Blitt","filename":"120723_r22386_p886.jpg","id":"590966ec2179605b11ad63d4","metadata":{"contentType":"photo"},"contentWarnings":[],"restrictCropping":false,"__typename":"Photo"},"metadata":{"contentType":"article"}},{"__typename":"Article","id":"591147d8f8fa3e67faf0dda7","allContributors":{"edges":[{"node":{"__typename":"Contributor","id":"590c96f66c4c222f03a8234e","url":"contributors\u002Fpatrick-radden-keefe","name":"Patrick Radden Keefe","title":"Patrick Radden Keefe, a staff writer, has been contributing to The New Yorker since 2006. His books include “[Empire of Pain](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ\u002F)” and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316).”","type":"AUTHOR","contributorType":"AUTHOR","photo":{"id":"59097b71c14b3c606c109448","aspectRatios":[{"url":"https:\u002F\u002Fgp-prd-global-clips-s3.s3.amazonaws.com\u002Fpublic\u002Ftny-services\u002Fproduction\u002F2017\u002F05\u002F03\u002F59097b71c14b3c606c109447_keefe-patrick-radden.png"}],"metadata":{"contentType":"photo"}},"bio":"Patrick Radden Keefe, a staff writer, has been contributing investigative reporting to *The New Yorker* since 2006. His coverage of crime and corruption has ranged from the mystery of a teen’s [drowning in the Thames](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F02\u002F12\u002Fa-teens-fatal-plunge-into-the-london-underworld) to [Purdue Pharma](https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2017\u002F10\u002F30\u002Fthe-family-that-built-an-empire-of-pain)’s role in the opioid epidemic. Keefe is the author of “[Rogues: True Stories of Grifters, Killers, Rebels, and Crooks](https:\u002F\u002Fwww.amazon.com\u002FRogues-Stories-Grifters-Killers-Rebels\u002Fdp\u002F0593467736\u002F),” a selection of his *New Yorker* pieces; “[Empire of Pain: The Secret History of the Sackler Dynasty](https:\u002F\u002Fwww.amazon.com\u002Fdp\u002FB08VW332MQ),” which received the Baillie Gifford Prize for Non-Fiction; and “[Say Nothing: A True Story of Murder and Memory in Northern Ireland](https:\u002F\u002Fwww.amazon.com\u002FSay-Nothing-Murder-Northern-Ireland\u002Fdp\u002F0385521316),” which received the National Book Critics Circle Award, the Orwell Prize for political writing, and the Arthur Ross Book Award from the Council on Foreign Relations, and was named one of the twenty best books of the century by the New York *Times*. 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Within a mile or so of your building, you could visit two of the world’s greatest art museums, at least twenty Duane Reades, a couple of solid diners, the High Line, the Garden, Carnegie Hall, Central Park, an aircraft carrier, a giant structure shaped like an al-pastor-taco spit, formerly used to an alarming extent for suicides, four ice-skating rinks, a total of thirty-eight Michelin stars, three farmers’ markets, some softball fields where a garment workers’ league likes to play, all of the Broadway theatres, a few community gardens, some reliable bars, and many bodegas. 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Some construction guys, with power tools and sheets of drywall, were in the co-working space, co-working."],["p",{"class":"paywall"},"The group took an elevator down to the residences: studios (around five thousand dollars a month), which include an option for a bed that descends from the ceiling, and one-bedrooms (seventy-five hundred). Both come with a small, but full, kitchen (and a copy of Kluger’s cookbook), Matouk linens, art, pillows—the apartments are completely furnished. In one studio, the group found the design manager, Saemi Kim, in a corner, furnishing. A smell lingered. Sarage explained, “We have target demographics in mind, so each unit has its own scent. This is the senior executive.”"],["p",{"class":"paywall"},"“It’s woody, it’s very gentle,” Kim said. 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She put her nose to a eucalyptus leaf. “It smells like eucalyptus.” Then she led the group back outside and into the fog, whose smell (ozone and trash) might only be sniffed on the way into the cab to the airport. ♦"],["p",{"class":"paywall"},["em","An earlier version of this article misstated the name of the health-care provider at the Set."]]],"pageStructure":[["inline-embed",135,"callout"],["p",95],["cm-unit",0],["p",86],["p",104],["p",80],["ad",0],["p",23],["inline-embed",-200,"cneinterlude"],["p",35],["p",92],["p",12],["p",10],["p",77],["p",67],["p",16]],"hasAffiliateLinks":false,"affiliateLinksCount":0,"isCommerceContent":false,"contributorSpotLightProps":{"header":{"name":"Zach Helfand","title":"Zach Helfand is a staff writer at *The New Yorker*.","url":"\u002Fcontributors\u002Fzach-helfand","image":{"altText":"","sources":{"sm":{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"md":{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"lg":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"xl":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"},"xxl":{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}},"segmentedSources":{"sm":[{"aspectRatio":"1:1","width":240,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}],"lg":[{"aspectRatio":"1:1","width":270,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_270,c_limit\u002Fundefined","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_120,c_limit\u002Fundefined 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F681126dbac2a641d2c5164ab\u002F1:1\u002Fw_240,c_limit\u002Fundefined 240w"}]}},"dangerousBio":"\u003Ca href=\"\u002Fcontributors\u002Fzach-helfand\"\u003EZach Helfand\u003C\u002Fa\u003E became a staff writer in 2025. 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